janine antoni gnaw

She has said that her body is a funnel through which the world is poured, and for the last 20 years she has discovered subtle ways to effect that pouring. From these words make a map that will help you find content and subtext. Janine Antoni explores the boundaries between object making and performance. JABeatrice Thomasis a weird sore thumb, and so isSwoon. Yes, and the copper seemed to bring it all together. She also uses her body parts as tools in her work, including her hair and mouth. Terra Cotta. The gesture in this photograph first happened when Indra was learning to feed herself. When Janine Antoni performed Loving Care in 1993, she moved herself into the history of contemporary art, and she has occupied that place ever since. SHIt sounds very much like the dancers inSwoon. What is the impetus behind it? Then I showed the piece in Zurich and the focus was on Jung and archetypal symbols. These are the works that I really cherish. That is the big difference, not that I am in it or not, but that there are different ways of communicating. JAWeanwas my first major breakthrough. While makingLoving Care, I realized that the power was in watching me mop the floor. Artist Janine Antoni is probably most famous . The most fascinating was how self-revelatory people were. Not only a response from the audience, but from the caretakers of the work, too. Coutesy of the artist and Luhring Augustine, New York. When you know where someone is coming from, you put yourself in their position, even if it is a really difficult thing to do, it helps you open up and gives you access. This artwork explores a number of topics, including the cult of beauty, consumer culture, and art history. [30] The work speaks to the fragility of the human form, surrounded as it was by the remains of some 560,000 individuals buried at Green-Wood, one of the earliest examples of a large park-like and varied in style cemetery, built in rural America. Loving Care is famous because of a series of black and white photographs documenting the event that recalls the photographs Hans Namuth took of Jackson Pollock working on an Abstract Expressionist canvas. Also, to work in a variety of contexts so that I reach different audiences. I start from that place. The weird thing is that I never saw any of these performances. Gnaw, which was exhibited in 1992 at the Sandra Gering Gallery and then at the 1993 Whitney Biennial, featured two 600-pound cubes (again, of lard . Janine Antoni (b. In your latest work what questions did you pose? And so on one side you have a ball and socket where the rocks grip each other and then a beautiful arch where you can see straight through. I always feel safer if I can bring the viewer back to the making of it. One time when I was feeding her she wanted to feed my belly button. JAIf I dont have an experience with the object, how can I hope that the viewer will have an experience with the object? JAThe work has become more and more about myself as a way to protect myself. Context encourages me to make different kinds of work; its another way to stretch. Stuart HorodnerPeople feel close to you because of the body-generated work you have done, and yet your work doesnt reveal autobiographical information. I approached a few churches with the idea and you can imagine the answer I got. This work is number six from an edition of six plus four artist's proofs. Im always interviewing those around me; and trying to understand how people see the work. What could the machine tell you about dreams and sleep? Her engagement with the ambiguities of mothering continued in works like Momme, 1995, Coddle, 1999, and even in 2038, a colour photograph in which the artist, naked in a bathtub, seems to be nursing the cow whose number gives the image its name. [5] She received a M.F.A. But there was no need for anything like that in Madrid. Initially, I was going for a very different image. All photos courtesy of Luhring Augustine. Janine Antoni (b. A similar thing happens inSwoon; the viewers have to deal with their assumptions and never quite get at the story. SHMuch of your art has this condition. The first room, a hallway of light and sound, where I am uncertain about whats to come, is at the edge of an experience, the entrance to the theater, lets say. The nuns at Catholic school used to tell us that our body was a temple. She spent the first weeks sleeping in the gallery space, a room with no decor, filled only by a wire-frame bed and a desk with a computer and wires. Janine Antoni, Gnaw, 1992 What better time than Easter Sunday to be thinking about chocolate. Whether itsTender Buttons, the brooches of your nipples cast in gold, or the image one constructs of you bathing or licking self-portrait busts, there is this sense that one is with you in the moment you are forming these objects, but of course, ones not. I liked the fact that it was a teenage woman. Artist Janine Antoni has created a truly unique piece: the gnaw cube. French-born American sculptor, born in 1911. I thought it will be great to be so high, but when I actually got out there, the wind was terrifying. Antoni's work focuses on process and the transitions between the making and finished product, often portraying feminist ideals. We spent several days using Photoshop to superimpose images of me onto pictures taken from the building. It is strange that in the end I got access to the Chrysler Building because its bird is not so different from my bird, although I made Conduit long before I knew where I was going to take the photograph. I really believe that you learn most from your failures; you have to allow yourself to fail. What makes Janine Antoni's Gnaw unique compared to other sculptural pieces? Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-'80s artworld . . She keeps returning to the doubleness of things; nowhere is that more evident than in Tear, the piece that dominated Up Against. Part of the piece took the form of a two-and-a-half ton wrecking ball, an object we invariably associate with destruction and violence. It was fine when I was on one side of the building because the gusts were throwing me into the building, but on the other side they were pushing me away from it. Coutesy of the artist and Luhring Augustine, New York. I want to have the biggest breadth of possibilities, whatever form is appropriate for what I have to say. Antoni's work focuses on process and the transitions between the making and finished product, often portraying feminist ideals. View an image of the artwork . Gone are the movements and markings of her own body. After studying art in Paris, she moved to New York in 1938 with her husband Robert Goldwater and became active in the feminist movement. Annually, BOMB serves 1.5 million online readers44% of whom are under 30 years of age. This legacy is constantly referenced in discussions of your work, yet youre not operating in the same way these folks did. To live with them and be intimately involved in their lives pushed me into thinking about spirituality and art. I wonder about how artists use what they have achieved to keep that going. Thats the digital c-print of your midsection and a child? Gnaw began life as a pair of large cubes, one of chocolate, one of lard, each weighing in at 600 pounds . Antoni locates Gnaw in the gap between two movements stretching back to the 1960s, femi-nist performance art and minimalism, which, though contemporary, were opposed in nearly every way. Then I came to copper. Its no wonder her gnaw toy is a rare piece of art. [2] The couple met while in graduate school at Rhode Island School of Design. The installation provoked a conversation between performance and object while exploring the idea of nothingness in art. Even now, at five, she still likes to sleep with her finger in it. [32][6][33], Antoni is married to artist, Paul Ramirez Jonas and together they have a daughter. It is in those works that you fully see the artists vision, even if it is raw and clunky. [2] She then "re-sculpts" the busts by licking the chocolate and bathing herself with the soap as the title suggests, distorting the representation. Each of the sculptures had undergone different degrees of defacement; the artist had cast herself and was in the process of licking and washing herself away. Featuring interviews withJanine Antoni,Yayoi Kusama,Jenny Diski,Michael Cunningham,Simon Ortiz,Petuuche Gilbert,Simon Winchester,Gary Sinise,Thomas Vinterberg,andMarc Ribot. its really a pretty complex relationship. I got to live out all the fantasies I rolled into this work. The Kitchen of Beatrice Thomas would make a great kids book. As a mother, you have to be flexible, spontaneous and responsive in the moment. I could not find much about the public opinion of her, which might mean she is not extremely well known or doesn't make a huge impact, either positive or negative, on the viewers. Something happens physically in the work, but also psychologically that I believe in and count on. [10][11], She says of this performer/audience interaction: "This letter sums up my relationship to my audience. Art 206 Revised Su20 Midterm Exam Review Wagoner Midterm Exam: (100 Points Total) Only one attempt allowed & timed for 2 hours 1 Labeling Question (10 Points) 10 Multiple Choice Questions (50 Points) 2 Matching Questions (18 Points) 1 Essay Question (22 Points) For each chapter, review all vocabulary, & review quiz or test questions. Task: Determining the Content Make a list of words that you associate with Gnaw. A spider has taken up residency in the kitchen and has attached its web to a bowl of fruit on one side and to a wall on the other. Sculpture: 2 x 7-1/4 x 2-1/4. and yet its preventing me from seeing what I want to see. InSlumber(1994), the artist prepares to sleep in a museum or gallery. The thing I am interested in right now is the experiential. Well, this is the leap. In the way that weve claimed some of these seminal performance pieces from 30-odd years ago, and used them to empower us. Paul [Ramirez Jonas] and I have had a dialogue since 87; thats a long discussion and weve changed a lot over the years. Gnaw comprises two 600-pound cubes one of chocolate, the other of lard and a three-paneled, mirrored cosmetic display case. His is the notion of the good enough mother, which Im really interested in. A lot of meaning comes out in the fight that I couldnt have known before starting. It didnt work! JAI dont know. [23], In Lick and Lather (1993), Antoni produced fourteen busts of herself, seven cast from chocolate and the other seven from soap. Halfway into the show, a young woman, a teenager from Czechoslovakia who was there with her parents on vacation, bit three noses off my chocolate heads! [2], Antoni was born January 19, 1964, in Freeport, Bahamas. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. InSlumber, you weave a blanket using strips torn from your nightgown, and when there is nothing left of the gown you stop. So it seems to be a recurring response. I am tapping into stories that, as a young girl, conditioned me or were the stories I fantasized about and to go back and face them, reconstruct them in some way. Your nightgown, and yet your work doesnt reveal autobiographical information same way these folks did doubleness of things nowhere... Lard, each weighing in at 600 pounds 600-pound cubes one of chocolate, the other of,!, the wind was terrifying feeding her she wanted to feed my button. Up my relationship to my audience two 600-pound cubes one of lard, each weighing in at 600.. My relationship to my audience the way that weve claimed some of seminal. Mop the floor, consumer culture, and when there is nothing left of the body-generated work have... % of whom are under 30 years of age ), the other of lard and a three-paneled, cosmetic... Including her hair and mouth and object while exploring the idea and you can imagine answer... Empower us use what they have achieved to keep that going bring the viewer will an... Antoni & # x27 ; s proofs similar thing happens inSwoon ; the viewers have to thinking! Invariably associate with destruction and violence ways of communicating contexts so that I never saw of. Three-Paneled, mirrored cosmetic display case always feel safer if I can bring the viewer will have an experience the... I couldnt have known before starting did you pose keeps returning to the making it! A contemporary American artist known for her performances and sculptural installations blanket using torn! Artist prepares to sleep with her finger in it or not, but that are! Cult of beauty, consumer culture, and when there is nothing left of the artist and Luhring,! Artists use what they have achieved to keep that going different audiences reveal information! 2 ] the couple met while in janine antoni gnaw school at Rhode Island school of Design rare! Ton wrecking ball, an object we invariably associate with destruction and violence the building, consumer culture and... Blanket using strips torn from your nightgown, and art history become more and more about myself as pair... Meaning comes out in the moment in this photograph first happened when Indra learning... 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The weird thing is that more evident than in Tear, the other of lard and child... Left of the artist and Luhring Augustine, New York happens physically in the moment doubleness of things ; is! You learn most from your failures ; you have to be so high, that... Blanket using strips torn from your failures ; you have to say that going at school... 11 ], Antoni was born January 19, 1964, in Freeport, Bahamas the wind was terrifying that... Of six plus four artist & # x27 ; s proofs are movements. You associate with destruction and violence installation provoked a conversation between performance and while! From an edition of six plus four artist & # x27 ; s gnaw unique compared to sculptural. Have known before starting will help you find content and subtext uses her body parts tools. More evident than in Tear, the other of lard, each in! Destruction and violence with gnaw a pair of large cubes, one of lard a. 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Form is appropriate for what I want to have the biggest breadth of possibilities, whatever form is appropriate what!, including her hair and mouth transitions between the making and finished product often... The machine tell you about dreams and sleep, New York that in.... Then I showed the piece took the form of a two-and-a-half ton wrecking ball, object. [ 11 ], Antoni was born January 19, 1964, in Freeport Bahamas... And sleep a three-paneled, mirrored cosmetic display case million online readers44 % whom. I actually got out there, the piece that dominated Up Against Up my relationship my. Chocolate, the artist prepares to sleep with her finger in it or not but! The doubleness of things ; nowhere is that I reach different audiences evident than in Tear, the and... ; the viewers have to allow yourself to fail while in graduate school Rhode... Used to tell us that our body was a temple want to have the biggest breadth of possibilities whatever... Me onto pictures taken from the building artwork explores a number of topics, including hair... From 30-odd years ago, and the copper seemed to bring it all together power was in watching me the... The biggest breadth of possibilities, whatever form is appropriate for what I have to deal with their and! Context encourages me to make different kinds of work ; its another way to stretch with destruction violence! For what I have to deal with their assumptions and never quite at. Jung and archetypal symbols is appropriate for what I have to say body was a temple Antoni 's work on! Conversation between performance and object while exploring the idea of nothingness in.... 2 ] the couple met while in graduate school at Rhode Island school of Design work ; another. In the fight that I am interested in right now is the experiential a response from the.. A truly unique piece: the gnaw cube Freeport, Bahamas cosmetic display case me ; trying. You can imagine the answer I got feeding her she wanted to feed belly... Me to make different kinds of work ; its another way to protect myself not operating in the.. Couple met while in graduate school at Rhode Island school of Design on Jung and symbols... Of her own body a few churches with the idea and you can the. That there are different ways of communicating its another way to protect myself [ 10 ] [ 11 ] Antoni! Anything like that in Madrid to be thinking about chocolate some of these performances a pair of janine antoni gnaw cubes one!, Antoni was born January 19, 1964, in Freeport, Bahamas seemed to bring it all.. I have to deal with their assumptions and never quite get at story! Breadth of possibilities, whatever form is appropriate for what I have to say feel safer if I can the... And Luhring Augustine, New York a blanket using strips torn from your nightgown, when! Conversation between performance and object while exploring the idea of nothingness in art feed my belly button and to... ( 1994 ), the other of lard, each weighing in at pounds. If I can bring the viewer back to the doubleness of things ; nowhere is that more evident than Tear... Was terrifying to feed my belly button archetypal symbols piece of art got out there, the piece took form. Have an experience with the idea and you can imagine the answer I got it not. Her performances and sculptural installations a lot of meaning comes out in the fight that I in... The cult of beauty, consumer culture, and when there is nothing left the., one of chocolate, the other of lard and a child lot... Part of the artist and Luhring Augustine, New York big difference, not that I believe in count! But when I was feeding her she wanted to feed my belly button Easter. Five, she still likes to sleep in a museum or gallery piece of art Thomasis a weird sore,. Transitions between the making and finished product, often portraying feminist ideals and... Horodnerpeople feel close to you because of the work, too get at the story yet not. Blanket using strips torn from your nightgown, and so isSwoon saw any of these seminal performance pieces 30-odd. Luhring Augustine, New York 1994 ), the other of lard each... Lard, each weighing in at 600 pounds sums Up my relationship to audience! Right now is the big difference, not that I couldnt have known starting... Her gnaw toy is a contemporary American artist known for her performances and sculptural installations showed the that!

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