Teagarden left Pollack in 1933, and signed a five-year contract with Paul Whitemans orchestra. Teagardens gently-articulated style gives the trombone a lyrical, almost vocal quality (without having the extremely sweet ballad-type sound that, for example, Tommy Dorsey made famous) and has in fact been compared to his own (Teagardens) singing style. Being a friend and not a snoop I never dug into Jacks personal affairs so I do not know whether he stayed married very long to that cute little blond girl or not. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920's territory and New York jazz scenes to shortly before his death in 1964. performed in the Paul Whiteman Orchestra in the 1930s, then performed In the early 20s, Teagarden joined the legendary Peck Kelly Band, Pecks Bad Boys, in Texas. Mother Helen was a ragtime pianist. On short notice, he joined Roger Wolfe Kahn's orchestra for a recording datewearing the largest hangover on Manhattan Island, Kahn recalled later, yet reading the arrangements like a veteran and booting out a pair of choruses which were mildly sensational.. I promised my wife a mink coat six months ago, before I hit the road. Also Teagarden tuned the two available pianos in the remote city of Kabul, Afghanistan, where most of the populace had never seen brass musical instruments before. On the spot, Teagarden invents a beautiful, original melody, with some brief references to the familiar tune, but one that is very superior to it in almost every way. Atwell, divorced and mother of four children, moved from California to join them. He was an admired recording artist, featured on RCA Victor, Columbia, Decca, Capitol, and MGM discs. Jazz critic Martin Williams recently flipped in print over a solo passage Teagarden played on a concert recording made well over ten years ago. So my Hungarian friend went on the book-binding project but he toted his cymbalom along and the book bindery became the most melodious WPA project that never got off the ground. Louis Armstrong and Jack Teagarden, between 1938 and 1948 Teagarden played professionally from age 14. An insurance agent and former Doberman breeder for 30 years, Atwell now trains abused dogs. Jack took one look and busted out the back door. June 1934. I found this short bio at Ancestry: Born in 1905 in Vernon, Texas, Jack Teagarden was an influential jazz trombonist and singer, regarded as the "Father of Jazz Trombone." His musical abilities were largely self-taught and for that reason, unrestricted. Using alternate positions and an embouchure that was apparently extremely flexible (meaning he could change the pitch of a note using only small changes in his lips, mouth, and face muscles), Teagarden could play in the way that appealed to him. Even while playing with big bands, he recorded with small units led by Mr. Nichols as often as possible. Then in 47 when he joined Armstrong, Teagarden stepped up as top-ranking sideman, second only to the fabled Satchmoand more important able for the first time in his haphazard career to play the music that has made his name legendary in jazz annals. JP Jazz Archive /Redferns. The ease with which Jack pumps out the smooth overall line of the chorus as well as the occasional disagreeing spurts of melody, is still a revelation in the art trombone playing. He was born Weldon Leo Teagarden in 1905 in the small town of Vernon, Texas. So Jack sat back and ordered a second drink. But Whitemans group kept him a little too busy doing highly- arranged popular music, and he left when his contract was up. After drifting across the Southwest, he eventually arrived in New York City in 1927 and made his recording debut. Upper register solos, the lack of a strict solo beat, and the use of lip trills were some of his characteristics. Her latest rescue efforts are Troy, a Rottweiler, and Laroux, a red Dobie. Out of this, its surmised, he drew his earliest feeling for the blues. "name" : "Jack Teagarden", equal. [2] In late 1951, Teagarden left to again lead his own band. They walked offstage and into the kitchen. It is too often for the jazz musician a case of a quick fling before the footlights, then oblivion. "url": "https://www.allaboutjazz.com/musicians/jack-teagarden" And what do you know? Teagardens style is also often described using words such as lyrical, vocal, legato, relaxed, fluent and smooth. Jack Teagarden played trombone with a relaxed style and a unique The secret, she says, was a lot of yelling and marching and to get the neighborhoods youth involved. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. His unusual approach to trombone playing had both a technical and a stylistic component. Well, I took her back to Jacks hotel and I have never, come to think of it, seen the lady since. Known affectionately as Mr. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. Weve been hearing a lot about you. He sang like he played, one observer said, in a smooth, sleepy Texas drawl. He had 14 side men in his band and the band fronted a stage show you could get in to see for 85 cents if you had 85 cents, which not many people did. His fans ran the gamut from Louis Armstrong to Thelonious Monk. Instead, he used his lips, like a trumpet player, to form many notes. Many of his best records were made with Red Nichols. { While still in his childhood he moved to Oklahoma. Sep. 8, 2021. James Infirmary (1947, with Louis Armstrong). Some sources claim his unusual style of trombone playing stemmed from the fact that he began playing before he was big enough to play in the farther positions. After leaving Armstrong in 1951, Teagarden worked with his own [2] His brothers Charlie and Clois "Cub" and his sister Norma also became professional musicians. Fort Lauderdale civic activist Vernajean Atwell already took part in making this documentary of her fathers life. Four stylii were used to transfer this record. 78_somebody-loves-me_eddie-condon-and-his-orchestra-jack-teagarden-bobby-hackett-billy_gbia0195458b Location USA Scanner Internet Archive Python library 1.9.0 Scanningcenter George Blood, L.P. Jack Teagarden Wiki: Salary, Married, Wedding, Spouse, Family Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964), known as "Big T" and "The Swingin' Gate", was an American jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone". [2] In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. Inducted into the Big Band and Jazz Hall of Fame in 1985. Since much of Teagardens best work was as a sideman rather than a leader, many of his best recordings are included in collections of other artists work. Jack Teagarden played trombone with a relaxed style and a unique technique that still inspires awe even today. In past due 1933, when it appeared as though jazz could not capture on commercially, he authorized a five-year agreement with Paul Whiteman. Looks like we don't have trademarks information. There have been times when Teagarden didnt need a rhythm section. [4], Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. The trip covered a grueling eighteen weeks and as many countries. The effect is a stifled, plaintive sound which makes the instrument sound even more like a blues singer. Yet, despite his technical facility and a near phenomenal originality that marks his improvisations, Jack Teagardens life was, up until 1947 when he joined Louis Armstrong, a great deal short of ideal. From 1947 to 1951 he toured with the Louis He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. Our weekly newsletter highlights our top stories and includes a local jazz events calendar. I have run into Jack from time to time, because he never did stop blowing that big sliphorn and he never did stop going to night clubs. The Teagarden brothers (Jack and trumpeter Charlie) are generally considered the only interesting jazzmen to have been part of it, and yet Jack also felt a little out of the limelight. Turned Pro as a Teen " You Couldn ' t Keep Jack Out of Harlem " Selected discography. [2], In the late 1920s, he recorded with such bandleaders and sidemen as Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, Eddie Condon, and Fats Waller. My cymbalom player was truly a fine artist but he did not protest his ignoble reduction to book binding. Mole also specialized in technically spectacular playing, with staccato phrasing, big leaps, and surprising note choices. After two months with the Tommy Gott Orchestra Teagarden secured a position in Pollacks organization, where he beat Glenn Miller for the seat of first trombone. Lots of clips of Jack, including home movies, as well as interviews with musicians who worked with him, . It is well known, that he was rarely content to let his nights work end when the band trouped off the stand, but would always be ready for some after-hour sessions. Louis Armstrong, himself in poor health, was so grief-stricken at Teagardens death, Atwell says, that his doctors forced him to bed and wouldnt allow him to attend the funeral. Even at the earliest stages of his career, he exhibited an extraordinarily elastic and modern technical facility with his lips and slide. Benny Goodman and His Orchestra - Vocal Refrain by Jack Teagarden. Relax.. According to various biographies, as a boy he spent hours engrossed in the black spirituals sung at a neighborhood church, and his music would he greatly influenced by them. Weldon Leo "Jack" Teagarden was an American jazz trombonist and singer. I love that big lug and I just want him to save some of his money!. 2023 Jack Teagarden - All Rights Reserved. but Norma, a pianist, and Cubby, a drummer, have retired. Many critics believe that Teagardens best years were over when he left Armstrong in 1951 to form his own group. Trains, hotels and restaurants often refused them service unless they split up. Only the very rare exceptions are universal favorites among fans of all schools. A short digression into the mechanics of trombone playing will explain why. Quick Facts Full Name Jack Teagarden Died January 15, 1964, New Orleans, Louisiana, United States Profession Actor, Singer, Bandleader, Trombonist Nationality American Spouse Adeline Barriere, Billie Coates, Claire Manzi, Ora Binyon Parents Charles W. Teagarden, Helen Geingar Siblings Charlie Teagarden, Norma Teagarden, Clois "Cub" Teagarden He moved to Chappell, Nebraska, with his family in 1918, but by 1921 was back in Texas playing with Peck Kelleys Bad Boys. First time I ever heard Jack Teagarden blow that big sliphorn was like maybe drinking, he died of a heart attack in New Orleans in 1964. But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. Although Teagarden enjoyed a long career, it was at this point that he had the greatest effect on the history of jazz. His voice, with an engaging Southern drawl, ranged somewhere between the rasp of Louis Armstrong and the smooth sound of Bing Crosby, with whom he was professionally associated from time to time. We were flabbergasted.. And Jack was blowing his big horn around a shattered segment of the old Keith vaudeville circuit. Jack Teagarden Is Dead at 58; Jazz Trombonist and Vocalist; Some Critics Considered Him a Genius His Technique Was Largely SelfTaught, https://www.nytimes.com/1964/01/16/archives/jack-teagarden-is-dead-at-58-jazz-trombonist-and-vocalist-some.html. Teagarden had a mechanical bent and a life-long interest in tinkering with things, and he invented the water glass mute effect, in which the bell section of the trombone is removed and an empty water glass placed over the end of the instrument tubing (of the mouthpiece section). It was this background that was probably the greatest influence on all of Teagardens work, both vocal and instrumental, and his use of the blues idiom was so convincing that Fletcher Henderson apparently suspected that Teagarden was colored. Teagarden is considered by many critics to be the finest of all jazz trombonists.(Kernfeld, 1988) Teagarden single-handedly created a whole new way of playing the trombone " a parallel to Earl Hines and the piano comes to mind " and did so as early as the mid-twenties and evidently largely out of his own youthful creative resources.". Digitized at 78 revolutions per minute. Jack Teagarden made the trombone sexy, and his pliant, lazy tone made the instrument swing like a trumpet. He performed with Eddie Condon, Bix BeideIbecke, Paul Whiteman, the Dorsey brothers, Bob Crosby, Eddie Lang, Peck Kelley, and others. Was a member of "Louis Armstrong and his All-Stars.". Such a man is Jack Teagarden, in the New Orleans vanguard when Dixieland was in its heyday, and after thirty years still its most enthusiastic and gifted exponent. Jack Teagarden, Soundtrack: Reminiscence. technique that still inspires awe even today. Sometimes there would be more teens at the meetings than older people.. He was Jack Teagarden, from Texas, and looked it. He also started using Ponds Cold Cream and Pam Cooking lubricant on his trombone. One source reports that Tommy Dorsey specialized in sweet ballads specifically because he felt his jazz was inferior next to Jack Teagarden and that Glenn Miller de-emphasized his own trombone playing after a stint playing beside Teagarden in Pollacks orchestra. After departing Armstrong, Teagarden was a head of a progressively working sextet through the entire remainder of his profession, playing Dixieland with such talented music artists as sibling Charlie, trumpeters Jimmy McPartland, Don Goldie, Potential Kaminsky, and (throughout a 1957 Western european tour) pianist Earl Hines. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. The Texas town in which Teagarden grew up had a large black population, and he must have heard spirituals, work songs, and blues from a very early age; in fact, revivals were commonly held within earshot of his home. Show less, One Night Only! Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. It is believed to be the first recording of a racially mixed band in U.S. history. This is a Teagarden album like nothing else in his 40-year discography. The trombonist, nevertheless, was still a large name (he previously fared quite nicely within the 1940 Bing Crosby film The Delivery of the Blues) and he previously many close friends. It is a beautiful thing, and I think that anyone who responds to melody can listen to it and understand its beauty and its orginality. This article about a United States jazz musician is a stub. The two premier trombonists on the New York scene when Teagarden arrived had also already rejected tailgate style playing, and there is disagreement about how much Miff Mole and Jimmy Harrison influenced Teagarden. She became a fighter for integration in Broward in the 60s, and active in civic affairs. All these guys include legendary musicians like Bigard, Earl Hines, Bing and Bob Crosby, the Dorsey brothers, and even Walt Disney, who shared Teagardens lifelong love of steam engines and model railroads. Charlie Teagarden (July 19, 1913 - December 10, 1984), known as 'Smokey Joe', was an American jazz trumpeter. Armstrong's "All-Stars", and Louis Armstrong considered him to be his NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. 29, 1905, Teagarden learned trombone by the age of 10. During this period, he was involved in a large number of recordings, with Pollacks orchestra, with other groups, and leading his own sessions. Trains, hotels and restaurants often refused them service unless they split up. These days, he leads his own combo, one he has traveled successfully with to the Far East for the U.S. State Department. From that moment he was the acknowledged master of his idiom. The following year the family moved to Oklahoma City. He did so at a time when many jazz purists insisted that no one but a Negro could do justice to the blues. His father was an amateur brass band trumpeter and started him on baritone horn; by age seven he had switched to trombone. A bulky, sadfaced man with a husky baritone voice, Mr. Teagarden was one of the few musicians whose work aroused enthusiasm among all the splinter groups in contemporary jazz. Jack Teagarden began playing piano at age five, took up baritone at age seven or eight, and had settled on trombone by age ten. It was a steady, well-paying job, for which Teagarden was apparently grateful; he seems to have been perpetually unlucky with both women and money, and had already experienced some personal financial problems. That alone is well worth a chest full of medals. Performer: JACK TEAGARDEN And His Orchestra; Jack Teagarden Writer: Victor Young; Joseph Young; Ned Washington Fox Trot ; Vocal Chorus by. Early in 1964 Teagarden cut short a performance in New Orleans because of ill health. Both have since died. One such occasion was recounted by Jimmy McPartland in Hear Me Talkin to Ya, a book telling the story of jazz in the words of the musicians who live it. When Jack was in Cambodia, the jazz-loving, clarinet-playing king of that country presented the trombonist with a medal for meritorious service to the arts. He It comes through in his playing and his singing and the way he lives. Among the many landmarks of the jazz scene is one that seems destined to last forever. Having grown up in an area with a large black population, Teagarden developed an early appreciation of black music, especially the blues and gospel He was one of the first jazz musicians to incorporate blue notes into his playing. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. We said we would like to hear the guy, and Pee Wee said, right, lets just pop over and get him. One of the classic giants of jazz, Jack Teagarden was not only the top pre-bop trombonist (playing his instrument with the ease of a trumpeter) but one of the best jazz singers too. One of the surest signs of this newfound responsibility (or perhaps only a reinstated dignity) was Teagardens tour of the Orient, under the auspices of the U. S. State Department. His story also epitomizes how music drilled through the racial barriers of the 40s and 50s, setting the tone for Americas integration movement. He died in a motel room only hours after playing his last set from a chair because he was too weak to stand. something many trombonists emulated. Born on Aug. 29, 1905, Teagarden learned trombone by the age of 10. Louis Armstrong and his band were my second family. Teagarden married Adeline Barriere Gault in September 1942; they had three children of their own and one foster child. In a voice segment spliced into the documentary, Teagarden says black bandleader Fletcher Henderson and musician Fats Waller befriended him in New York, and took me places I dont think any other white boy had ever been., From there his career soared. His style remained the same, even though more and more seams crossed his round, open face. All rights reserved. He was an inventor, redesigning mouthpieces, mutes, and water valves He was an inventor, redesigning mouthpieces, mutes, and water valves and inventing a new musical slide rule. So the traditional trombone stylists specialized in playing simpler accompaniment parts featuring cute special effects like glissandos. Who Is Jack Teagarden's Wife? At various times in teagardens career, his siblings played in the same band. In the upper register, notes in any position are closer together, and many notes can be played in more than one position. It is in the favor of jazz fans of all schools. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920s territory and New York jazz scenes to shortly before his death in 1964.

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