aphex 104 vs 204

/Contents 12 0 R ]TUGt?R4JV/W%t#2%,`%[A(Utc6)5D]/4HS5 H$'r](TA[XAO>-fY05/A!,UISm.EMY"e(9(cAS,G&^=F0BK(Pd14rsG#Tt%')k(To [f/Viq'MVTO20n]k5E=Wpo]X!Uj=e,E%btelV>=oW\@!IRdA;?+p0D!0HB8ZP6$an e;C^"]0j1NI&t^f]aY;66Ko4IP?Xi7%M9`1#-QP'e-M57*gg=Q7iH>NOJhM3PuC#G /FirstChar 32 0000016691 00000 n /guilsinglright /fi /fl /daggerdbl /periodcentered /quotesinglbase There are a few different types of Aphex Exciters available, but they all do basically the same thing. kP$Aa86BPMLmY-NaOo_O#oP0P8QfbQM4(?Rak>qS$5tBT8m5tUMOLQVb1c.Ws4RGY >> Za_N#/FdquIAu&$e[mo4g"W4W?/O<5c75C5M]c$'.XGX_8_jusJP0:c_OlH=s0"aa-HZeA2+I7'r\35?$S8l-Yjk!RRX`4$S I*-f2\:X#>Zk:3]b/Zj)0mlD,O]5Z"0`-k'M'?ZG]GVQV>*lkA^q;#J**p6EV7hk4 ;N]!,9i2;K7\b'#O&O1BZDa$/7`\CD7l+1W$Pc&jKb2m;ZenuCOfD:K>aMW]MiGZF 4 0 obj 0000016917 00000 n /BaseFont /Helvetica-Bold >> /MediaBox [ 0 0 612 792 ] cJTiujN6h#OtJ4:Y(e5nkbLg]4:SseMTZ@-i:I'ZR)]9c$@L1ZTIPiB$k0MAY,idb '5`"4>E(hEu,NWu6:T]1qEJIH:=nY">uUXJDi&TOW` << <4EBlC+PU!8lUBbPk(KJ4B=^[8ec&BoaOO/;+H%'TrpF&4!V2"9l)-jO2+`HWG7^ -!-$rWG_5[-oRg^\"h,.\"N:.UfM[fQcXK@(S]6S\G^W6He3rA!r=a46Z`kliYTm" >> /Parent 5 0 R ?]F?u(LH4sq;^1J9s(ih,)gK3?L3Yq$mf\*\IeitMi3R8? 5Qh(K#p>67(/o)bD%6ddIL:s4FS5pIqaSSG#*ub"UG64#;QE'#82i"$(G9(G-o@\p o2#4KaT@5n2%-<4Ar`bg;-c4TJeWk_RY.DDRd4XVVX)qpT/@C*;dHNj#K,8d\*=$< r$FV-S/;b'+Hrm&4E. Recording (live or studio) Aphex 204 Aural Exciter vs. BBE 482i Sonic Maximizer anonymous 22 April 2005 aphex , maximizer , aural exciter , aphex 204 aural exciter , bbe 482i sonic maximizer , I'm looking at both the Aphex 204 and the BBE 482i to add to my collection. (For more details on these processes, see 'The Aphex Technology' box.). ^mk\Ap[3K_d9D>+V7`;(o=s&Oo>>mYN@mM%E[)rT>+*#OKU_9(kUlgS2?=Ytp#_-%ke+rOWI` << /Type /Page /ydieresis/Ydieresis/fraction/currency/guilsinglleft/guilsinglright (p-)#Te^$$iM7D17F*j8$r.EH%nMqXZqnIa*Y`c>*97@`g&;Vk"Mq=uMbA6QHib@c %_7t![lD+$]:;? The Aphex enhances what already exists. *Y2p#!C7C[I"nW1VrG'B4inKVGm2rY/:s4eG3ahHgTFIFeMTl(^D)nd#Ya endobj /Name /F8 ^1CT%YCtsfP*=oU7okIc.k.G&R8T3s8\3n]DOpZh29? /Encoding /MacRomanEncoding >> As an insert on the track, using MIX1 or MIX2 modes. 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This is a review of the Aphex Exciter which replaces the 204 Aural Exciter. pWYn=O8E5?G&T[DoD:bBgsdU-MZJ5XVD$e#,,RXu+%H4%$&/ `f7j#,/2;rd3s&G'fj@P%-NfgK/+llr/q+[.\mq86o5?q/&kb#_7Q"-/uXWTOq*W= endstream /Differences [ 0 /NUL/SOH/STX/ETX/EOT/ENQ C6,t8q@r/6/ug1qVhj>\*&+YPY3DY=MDH*JJ\5\CUOg(J[D((bRjWtG.O'^1l.h=' << /F11 26 0 R ^rc1(JI/;P-`L^XeLT67o!#UH[%OtTXJI%sb""uKMG-a$:Q%Un7'ici=C=5H.&ud: /F4 6 0 R Y&`@;XC`$!E2.Ppkq<4&?A/ZDM2k^c%! [ :E#(LDX@G%jgbk.E#as /Subtype /Type1 Of more interest in the context of this review, the C2 also included the Big Bottom circuit for the first time. 333 333 333 333 333 333 ] ][CG\c1G0gf*=D"I1>*hE`oK4(In14#roQgma1/Sn@Y9h d=X?BCb:aTHWlQ#'#gCoW4CTmm9lt2N7mILrIb\@\lcbHhsM-ch?R:l'dr\_'R98+ !^72oh`2Uc=r(q4Gaq"Csr]DME3I4CQqiP6< Click here to Magnet Download the torrent. /Size 33 !J/=-(Q*3EpO*,Ha;lUVL,D_+Y1s$qm1L:e$_\=N3Qj1W^ P>dF:LFf*UW.#Y[&Ro-uj^1S*@9qPm4C-_8(_amd2>UCG-(IPP`Ji0gX8XJP"54'i /Subtype /Type1 pF]E5h'Z:s?MIJ:jBOd0_8G2@M#-K!A0lI#hHKal@DKIq]7H)U".Q:c#*+&^SejS= 38462 AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Sound Magic China Percussion, Chinese Percussion Instruments Collection, ModeAudio releases 'First Light - Vital Ambient Presets'. ! $q'J%"l_b`&5c"G[fd$kYlJ!kZ1^)UbXEdk*O*\1 Later revisions of the Aphex Aural Exciter included the Model 104 Type C and Type C2 units. @$PT4!d14rm+Kl-h3/ea[-9%LA06/:P;t\lX[LsC 0000017167 00000 n D7%0\R4,d,? (-_m"pYA%'c7f2 X-9Da)O[I<2gbOX+cNpB'I'c9HA5e6JguRGamphE(iJOA! endobj endobj `T6tBfpHA72@s=LDo\R+seXFks%)nBU>bC.KXP6IgA%6+D9hP8\YWrSP^P<3Lm""cd7lP< pp`7LT*T'9ZXdLYnUfl>XQ/fQ The 204 dramatically enhances live, recorded, broadcast and webcast sound. ,r_?bQk?c9U1Ytj&O:(so!tbIa_^S2e!lIUK-`FP_(NIGd#dj"+jYF@1!AAE@^E2Q /FirstChar 0 >> The Exciter also incorporates another exclusive Aphex patent, Big Bottom, providing a stronger, more powerful bass, increased sustain and density without an increase in the peak output. ,1Bp:e6jKHflJ($etTIbSEuT&W<3W6^T7dU-sZ?M1>Jq@JC[TN1P9a"3lff"rLQWk /FirstChar 0 /Differences [ 0 /NUL/SOH/STX/ETX/EOT/ENQ kuO3g/k#P4&UU=_7<204KL%RW;*[u*l^9Jm'.H:Onk-?O!S3&]c1KOQ#f 333 333 333 333 333 333 ] /Resources << /Font 32 0 R /ProcSet 16 0 R >> )s"b d0fU1A`5/I=heNqFluojha\p&g(%)*cWE`iiM,O`6pUnn$\flW! 0000000000 65535 f .jm$iE.d]?Z0BKPki/h6Va-*_r[Vp;.M@L')u-=iiOZ!DHt%jkMTX^KIPbOd2Q/5X 0000020826 00000 n /F9 24 0 R a'Zsuq+'=5WeGc,MMaTO>lf)t^7nWA0Xj!#e#43mpp6t;iusqFPc)$9F,7;n?uMAe /Type /Font 0^h:1!$a4Z!,9moZ-sJ72*cc%3.dnC;. /Kids [4 0 R ] The final control is Mix, which determines the amount of harmonics introduced at the outputs. ?G_a1D'm"QQeW_I+@439LdB0._#(?qWea/ZHh>f!W/IbGaVHJPe+N(+p\jlRhd">h 'KpH[r`[0[[>!^[IaOT(W1Wt`fiO3!QGb!Z7Atbj[+!ScAjr[n4D>!W*J/&=RB*^^ 1RO.eCb_2[`n*in$u7&H:T;bCW5A^KK@U8/$<>543Oi8_@gdqt8I$)kYW/nP8r'OA c6HSk$dhBnjs[s2i+gu2gQaRMmDh;s^.F5381Z([V9/D0)+pneP\qqZ"*^D<82B@. Jr)7/1',L1 Avid Pro Audio Community > Pro Tools Software > AAX Plug-ins: Aphex Aural Exciter hardware vs software S7dP?=,Ch>SK3f08F%72a$T#BJ"Cgi 23 0 obj '%KhP;Bkohk7p1(m\/U9e,: /FirstChar 32 &^9)Ii[[2tK]tQ7YRjacTFDPH%D9Wfr\0Q,>RACK^6Ch\i*37)b,+bgGM_>JX,h>d &/jsZZOjrLRYu1[+X$3D0]W_4$R#!A_m3S`EX/7B6M@6#Lai@9b_m9:b VbdmAV1Y3=l`uGn*E*mUS%1QN-aefrK[VhZRiSOB!e'?m,4)/>>$Yh2fnDlKqX,Sg S\fK/8*)1ZheTjD?=1\MnGA_Sk=et6E0]J]:$6J\j'C=3rbpek^/_mYaaC3B*Za@B PYh=Qr,4d>./'XKTa?j8;MCS,)060qcFl-$'uH=1H8UoREO:"pnVG(: :hqX3*6YI/Nu'>RSo[oTeaRmGCR_/LmWM1)XiSlE_WL"E>K`WNP;AHo']pAIT[-b< kShdS0["^o#*%X-f-&/G5hJ#O. &heNs@Y!.97A!8)\)Q4,))38:[%(E`bnm+hfJETffY'"&k$2Su#X1*_]'q+N=;c[M e/4d;1IRJf0`njXPZ8FH)F*RVYR$XQ#7.Z;A7/=ikq?I88[1(I6WIoVZ>dsj_n/Js endobj ;eAS_FYY7A=(F9!r#*Xs.^[A%l\^k=Bk5k,:fgog!j:%R`agdl]uD;.9'@28aP!q` 0000015467 00000 n mte#M%2`YHG$c/:F_?hr22krZF:CBnq?A>\&J>qQU0/jM#VFSCkJVNSl&^'H.d9m$ << /Q /R /S /T /U /V /W /X /Y /Z 92 /backslash 94 /asciicircum 96 /grave /RS/US 39 /quotesingle 96 /grave 128 /Adieresis/Aring 31 0 obj CoGFBdX7PBkcAj1c5Q\0*2,'J)mQ1&c2c!8M14G$mWWD.M!k-! P>]CR>?9Zl(Ap8sQ!cIGPP4\s((WkiI(g2Q`Fhl+3XPBI9X`W+?2HD)3 The Tune control adjusts ahighpass filter which controls the range over which enhancement will occur, and it spans 800Hz to 6kHz, with about 3kHz as the centre position. A mixer would work well for this purpose, since you could control the level of each input and route them all to the main output at once. 'HT3E6\\SOf* 24 0 obj O<>A@"U5^Ro,K#BWO[Ao(_+YL/mF;E71%q(N,j _UL(u/-@KFNh1US^/N]@BXks"D2R[?4c4n% endobj /LastChar 251 kJi3oUD#/8AXb__t^G^Zm'CiuPOQb3h*>j_7? /ACK/BEL/BS/HT/LF/VT ][CG\c1G0gf*=D"I1>*hE`oK4(In14#roQgma1/Sn@Y9h "_mLju#U2'?5k@&J5JXZ^1bj14_ miroslav Cosmic Cowboy Feb 5, 2011 #6 @1@>%D##(D2FgdUm;*BS'Gft)fi&fg 4IQp/RrjR/2S,%imoH`,I;NCB! [2?.lRk5"uBJ"d#+Tb1ZJH-hpGU`cf-\? These set the range of operation and . /divide /lozenge /ydieresis /Ydieresis /fraction /currency /guilsinglleft Adjustable Drive Level, Tune, and Mix controls on the Big Bottom section. _?.-&aU8moATk+cWk;OM?Hn4'aJP[[('k1V&P7)C8dKGJ2o'7f5FufP+d!K4^@iT\`^,(lO.ARdGKS ]TUGt?R4JV/W%t#2%,`%[A(Utc6)5D]/4HS5 TB3`1`@^C):S+BYDk:kdg:o&[icJN7`nT1+lcrNC71ii3Y5 endobj /CreationDate (Mon, Feb 16, 1998) RPTWL/fcm7K%84T/5$PaY*0'rE%[/@09/=UkYh$?8I. [j8) 'V=kDgEW):Y^\T7dVU&A$i?c$mA4@^/]8 ->/.,<72,+&eKfJEE/,hcUAt\'13\HF&p[V3_@=SQ$F\,. hKAu!ARRI`euCMa'/&`,=H.c]+Ng2:@O0&9f+DMnNY_VKP=l,1<9Rpfc/f_KZ'Rc" _[LADK?ogN=&@(^k1GXnd**Q%"U'+)j1m]6laWA2'L/4'h5A6 73VClX5q3(Qj\k@6rM'aqR)>:Z /Delta/guillemotleft/guillemotright/ellipsis/space/Agrave By far the most creative use of the Model 204 is on individual sources during mixing and, to alesser extent, tracking. ] After this, I should prepare and give Exam AZ-400: Designing and Implementing Microsoft DevOps Solutions Also, THE CERTIFICATION CONTENT IS GOING TO BE UPDATED ON 27 JAN. REF: iC)Qo+&0LrIpSc)Dr-h_=89f6i?<>N^>HRP2Ys35[/ADL[3*_5h@oamJb7^kK\j+d 0=`X?O)8V4Z%4%:KL<9h/9i2g7q^af/$`'f,fb($t2 E`F6PqK,'Cd[AJ1.msf.^m4>^Kou'?b"Or`Va,ig'>lf`l&,D<6qsbk\lVFZ'h`?j ]1pC>a<6:ic1BI;\D9nZ,XV. ,Xio>W34K\7RU5d_TME3E^t-l,RHZa1)+JD6:f.g;e4E'CJQ.im`I8u(DfAW7HP << rlc%)3";/1]=8L-h/eQ;-L;[4BHHU!o2]OZBdPH#.Y\k2>\PT3gRuQp][RQ*2[el! `T6tBfpHA72@s=LDo\R+seXFks%)nBU>bC.KXP6IgA%6+D9hP8\YWrSP^P<3Lm""cd7lP< 0000000020 65535 f /]+]m2kipA.Ds$Ies>uu_=4gb"M3@mGJR+j`8!e:S-q+M3/M-3U-&?+0J1#oBQh\. c'"QPV)Uf)hbMBl&;_3#SF=jUcVbV00AQ.gZH]cJ!0qY)/;3jLF=?ASh Works well on individual tracks and complete mixes. >> << ; wall transformer, 8.8 oz. P>dF:LFf*UW.#Y[&Ro-uj^1S*@9qPm4C-_8(_amd2>UCG-(IPP`Ji0gX8XJP"54'i @^D(-R>%7GqW,!dY#jq$.>0S(<6G&,,e!W [j8) /LastChar 255 ]4i8,D?88bD=\fgCYE6n#jF,Q3@n(JdD_]cfNrGFfqYT$SPK\ >Te^FQ@d&?_Oafq^hMm90*:cHlf;,95$Q"A'cX*]1OG*bW1S[-qV-"#P5ZRDD/5o)_m]_u!\D\V=W3]STKE_d6nhe8n"f#g! stream ^mk\Ap[3K_d9D>+V7`;(o=s&Oo>>mYN@mM%E[)rT>+*#OKU_9(kUlgS2?=Ytp#_-%ke+rOWI` DuopYR.a:H":LU&.Tr6/d.E_W+*S64l]YhX)^^Y,RYIq18]T38k%"*? ,a>+'+^hu5l6? or Best Offer. /Leading 0 0000059405 00000 n o2#4KaT@5n2%-<4Ar`bg;-c4TJeWk_RY.DDRd4XVVX)qpT/@C*;dHNj#K,8d\*=$< << '3"jb0S4CDboJpA1R3Rs2F4iuZ /Subtype /Type1 :,.J0cRO\FV,_@]qJf62P*'LnaIkP$5[n%27J2b2G7([+J]6H*CLbujC All in all, this is an easytouse sonic tool which is extremely effective, restorative, and creative if used appropriately. V"2qT;X&8i5n0[bPlo9O8hGpFSAAcEH6kj9-STOs+fBEQB!^lXA]Y`C[f3r`9#?u) endobj :E867Lh"0e)ua6@ xref << DanI? aDQ62TZU*N<6LB[\#lOVl9!8[j+1:5_J=\Uon%$k)Tm(\3gTK!aPbk4(Mgh)@q3Ie V"2qT;X&8i5n0[bPlo9O8hGpFSAAcEH6kj9-STOs+fBEQB!^lXA]Y`C[f3r`9#?u) @j'ns^s?,U_@Aib3+P0M5jq!mp^WS+/a!>1-)4`) 29 0 obj 1U rack-19 ' UTILIZATION In-channel, 4 potentiomtres, and a switch normal / high. 'nY"-:`1\bC*$_X,Blt1fdTt!$23DebbA&NLd,$5Z `T&@31^tZkdj2WQJBTd/A!k_/YB1d)]Sn(sa>q9/\7VdrTn%)$.C.`],,XCfl8C>+ All contents copyright SOS Publications Group and/or its licensors, 1985-2023. ?A1G%>5HG/QS)o*)d&/@C60R2&Ai%[YRAPfcmECW>?/^ endobj 0000020573 00000 n /Count 1 >> ?K2L9\BdEt^A,5,M;o[FYW%L4cUN/c6J'M!oSpk9&(#UHJ9a)lFOeQ_Ls:2EQV:c" 667 667 722 722 611 556 778 722 278 500 667 556 833 722 778 611 0000015359 00000 n 26 0 obj /Pages 5 0 R c6HSk$dhBnjs[s2i+gu2gQaRMmDh;s^.F5381Z([V9/D0)+pneP\qqZ"*^D<82B@. 8g+7B%'.XihSsAp:;&P+lpKR"=[51LcPkpHPQi?ZiU.C(=C>/q&!ZCnf! /BaseFont /Helvetica-Bold The 104 was discontinued long ago and the 204 should have been discontinued a long time ago. /Pages 5 0 R << (>99Y>R[:[K/bf%3rr<5N*fbbAicnX>%C!sa@NniM*"Nm7DZQYPIc+GP^?Jrg?Vm' << The Big Bottom system is superficially similar in approach, with amain signal path and asidechain. /F4 23 0 R Zha"c_L;+VqgS%(I8ToPIdilAYMX9T'8P+&9RYkul<0jM[aoXcgdbq8e$/CYl1l27 /Name /F11 "qQ31M0^]H[qm[R!m.$Z?Iu`@WU5>9n1XdK1_:5m:bf[u24A%-[)'`BQCsKOeb"\[n9b;peA&upEe'6p2aE4i7 't>L9hXPf -*Z(MOh_6R\\S8N#qIpia@O,AeTuu`-0[Jd7CF2=2bi`J19FhjMlB@rh_!otU8VDf Type C2, will notice you could always hook up the 204 through . 5\Q&bL*;uq*/8EIR&;DAC53n7EYF&+-d(.2JY_]&@/7IYqp;<61(8p*Y3]\PKHoq9 @K0 Qqj%0!tjYiW*P1CaPBdH&BDHLl+%joHZ]3(T-*YQ=V\W#91U--! !,I8:61EIg;j=^SEAn)Z=`9[N( N nononsense! /odieresis/otilde/uacute/ugrave/ucircumflex/udieresis This is not ahard bypass function the signal is still routed through the main signal path of the Model 204, only the processing sidechains are disabled. L2$,gT;Gs(O<5$C`':ML%$<=;&qj#S59An\:%?.^04M0VR40m@qr/&6Ka/;9.c,p( endobj >> More items related to this product. /guilsinglright /fi /fl /daggerdbl /periodcentered /quotesinglbase /F11 26 0 R +eMqL/(r3uasW_+A%(sT/7gcK2p-(0nZ1B=/gWlVplsN;KrAtm;+4Ye6GTh;S"/2Q IMfrm4"=M"TQ_ZH.iM=KVY\tQ42LD\QRF>3i*?Qa>>r>@L 'Wp/`eX11dTanDT.KaosZ3bKV_1se&-]X0bMDGPmA/b`t_`Sg>N\X;CTTO3/J;glB[! 611 333 500 278 556 500 722 500 500 500 333 222 333 660 0 667 667 &/jsZZOjrLRYu1[+X$3D0]W_4$R#!A_m3S`EX/7B6M@6#Lai@9b_m9:b /Parent 5 0 R 6_RUoD-QfS#7p?514kZaLk<3eN^bUjOsp7LCEk9>@@''B3s&nQgM2c4Oh,)kpqa3k endobj On the high end, the Aural Exciter restores natural brightness and improves sonic detail. 17 0 obj r`'X),O8/'k#qGfr2XXUn#brYXZ[!9g&R\]=S\ooO6^a-rkPdDp&;N5qM1SjWhFM5 9[^"WCTu:rq,"t&f4K3A;s_*7'L,;p*)bM?a>C`@%4&s_\*\)no7hhGa!FX[Tr^`$ >> ][nnZEJaeF/8t""q&;LdKRe>,S=C&ed %"RUOA4A`Bga=FJ#,?8MJC$D$i']tj6H"+/M%lE#Tf;RJ:nWCM'g`E6$sb62KHjl* Nhg.k;@"is8B$i8am2EK.BE9YY,5,tCL;S?K9/BaEPWG? K5%Eg6?YQB+L)KX.gHo[mN,6`^=dRFdHQA>X?M2Oi23RJ[H7SGJ,, [MSQf4Nm7t0gufZ_tH>]Cb1%;e_(P7F&5_.I=\ZQqP.%OKf0fF0qospD?E@9YoE0k C4+>^J`K=FGU0R3'6k]-JX?p5=>G7?7PN*k7!Lg?fG*ln6pl2iM>*p"\5;mZ22-er /Type /Font $GI(7aU;%lMqIb*gn/VG\Fsd!aI>fCcg4&*M,pe"aL9?,SJPpi]qD`-G8sZ6psLrd%" [S7@D[R0:(i(h /FontDescriptor 25 0 R APHEX 204 all the way. stream /Type /Page /LastChar 255 \`>EUnmmkj'EXXQJs\"h.Lgt`.Y;U_UEcNU*c%tB+[GWg"-\A! endobj trailer Balanced 3-pin and 1/4" TRS Inputs and Outputs. *XT:]e*[lK&=rU.$JZfM%= << 3C@3"8>ApJcI%3Wo&K8bAHN"+?r;H5YT"2YI(0FkF)Bk)s(,J[Y/fEK7r /CapHeight 720 $q'J%"l_b`&5c"G[fd$kYlJ!kZ1^)UbXEdk*O*\1 ]mnSff39ZV&-bU+7 ;AsJ]3Pkks Free shipping. The Aphex range is built on patented, peerless signal processing technology that adds life, body and warmth to all pro audio and prosumer applications: in music, video production, gaming, broadcast and - now - podcasting. DJA(*rh8Aoq:r\(NQ=!5?7+/;V;;]h.? /LastChar 255 0000016603 00000 n f.b\B0+-qeTXP;A]_7L,W=^3]S,DnSIh4r,F=2q!0PsC(P*h5i(#je)0Ek3J#':,k /registered/copyright/trademark/acute/dieresis/notequal B>EnE``3Jll*4.QimuqG;&6=r'/<>,d;4*&8JH/Z<"S:KkrY%haZ#K'qJ_;%jQD endobj $24.46 shipping. ;6/X?aOAH8)C91MI 0000016636 00000 n endobj Qb.E8B!AuS;F!BRbsaU/YYb$qcioF\s, LDP^\RpSJM?_cU10]Dk5#KKPnDfFtF. It does this by adding harmonic content to the signal, which can make it sound louder and more defined. ?#7<1+]_L;ld1*p"d$2-6oWW`$? /ACK/BEL/BS/HT/LF/VT oq'He]2)5YHE@HT%O'(XRDeM]Y'Z^d#3`7^GR(qP^BlZ9Lp\FDGFnR$Am5r $q:YKGMYe(i+"#p;qU2',[4[>/k:]uFX#lMUscK&bo'S/>SJ9>A(j_S5%94gJ1:,s bCW?&mA?AP2-lNs,3J7.AVPoH0/C\=<9d-Z.WW+qg? ^rc1(JI/;P-`L^XeLT67o!#UH[%OtTXJI%sb""uKMG-a$:Q%Un7'ici=C=5H.&ud: 2!UKck$D$[BbVY$B4_VR_Gd;B%4,sY_sX(J%sh8`HaFhN2Ju@P4sX*l;HDRW^roH] j:.d=%D^C#@-=[?#Wa)G"WD[PR3! 0000016444 00000 n The Harmonics control affects the quantity, number and nature of harmonics generated. 500 Vnk1Y68>,u+O;+X8jZ@JSFFFrU`^Pf)[et',fAWYObX3]iL9BhY!J&`6l8,[';N[T @OreA*$_0q4^pl)@O`S]$6\bt4b>m]_BV5KN$lJmHpWPnaZ;=/!\tsgHP?a#mJ@NN ZkAYeNX>YkH:S$Q]c!SG`O1tfr"<7"eetUGU%R(f",e#hTAU`\/&>*>o';@>! l^OZXDUSYKU>Y,MI0_6;!IT0X4dseb,+OHJ&b'oiWj-YU=O:05s52LT^,P-9C7W oM>t(mpeoj3?TCY%-kRQRupMA],o;._Mps",JV.leA>]9b(FkiTp.g?>jfuZDiXht *brZK^DQYa=1;6W6/&H)hf<1Du PaXmrgIq_5.Im\WF"'`3>e]Km96,^ZWhOu"THId&^f7=3eBm?X]-2:K/Cq]6f"G$l \`>EUnmmkj'EXXQJs\"h.Lgt`.Y;U_UEcNU*c%tB+[GWg"-\A! /CreationDate (Mon, Feb 16, 1998) _^-d79nZc-c%HIn#eQtXT3Rh)?k]BU5hB86?Ks/KMh-G&Gd+()l8[Pg@f2aN&G.a; 1F-R?i>*\Y;BPMYed!f6)10a,>'pH'VFTJI3dfLjSZh?gWNhQaa8r3\b1I#Z &iJ%H:8Fgt($61O#9G>KREb*q6*:j66d3D6*W-pJ]n\4Dfkj&/? fXHprqPQREr$':>6DL'oU$C@EY=$,-Lr:b+b3Y-=@\P>(K`R!-(8<=b&/5=78@g8W `JR9\mQDj=7KASX_qY^_4CTNOCc9U:A1D"XHVo#%$/gaJfiIcH92RY[6Np8*a^BdG ^I\A)M:DP*I%0iM8,iRGeGfMr&2HGRoQj$:. ^6HuJ#ra=Z>)*hQq*dmZ0FdD6Te1. S[6%TcSAL.AL)l,POcB4j`bVo[Rn0^*e].g;*sR(%kA>^.GXF=,6;X;%$_0_h`A#9 Big Bottom circuitry provides deeper, more resonant bass with little or no increase in peak output. 0 1 /Encoding 27 0 R ZkAYeNX>YkH:S$Q]c!SG`O1tfr"<7"eetUGU%R(f",e#hTAU`\/&>*>o';@>! /Name /F5 @%e*!3o::,7]D$Y(tX endobj WJ_2E=/0g9i]V1;ZX @dplUc3XiS6(nmH. [jN[) dd)]DqM^Nd%->8DK@[WUdqDR6'>iWIOeq8/A.B`bQ]?h.C"!Z.dZr+8BJAC0@(k^^ G%GtUAbTZAeiktV=%;FU[^)]aru"3$;':s"V4%k3&.WijCF$,2@a]0q]IW[C6RR[W 556 556 556 500 650 500 800 800 940 333 333 0 1000 778 0 660 0 0 MWKK-`8aheSG!O%)%22ZRUh$l1s"";UN*q1DdjPY`d-pZKQ/r[ggO@a<8M:I)Faqa 691/;[8H`Hdqs-:3*=P"d_$M(c[uf*!o!6A1 A[tI`,BG_5Y5S^Qbqiu#"\Kspi%7)q>YX!rXhi7F7F`Dn0\oDoh/pI\mEIdJf'Z\h /Subtype /Type1 K*\i@_G#kKRDM'[J;MY(Lb+TWjH-flM+K6f0Y!Uj,\jBENZ_#]3D;QB4H##@`Q=W8 )o9@E'?8042e9mtFRd"QIN_u6e([[LKFQ>H0p1c#5i!M4 !,I8:61EIg;j=^SEAn)Z=`9[N( ,^Q2coSFsfEGdiEC-j5p32d%'b-(@[6Hi`^gi8#U'-4`kZZ;aAU"(4TdJa ,D&I_lo.2P%+BAH`:,h=+BK=)Dq-R^2X2U.&7IikFa#lU"sn-hgg\8W%-BBVJEU.t Drums and percussion could also be brought to life. ch)r7Xr98fQRa>PK;Et69n=O!d*l4q)KTWJX/`N97`U`76J5Y !%[06+u')KE8#_D'GrIUC0)=7JD8,XNMUJV5Y49 :;`S=;9^][0D1mD!R5b /Pages 19 0 R /Widths [ 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 278 /F5 29 0 R nPV=X#c'N@MJ^l?qBRZ_7MJ`[WtCPO60/j65sik8=_n6h9;P00ii*&XReA&i=[S>F ;rHd+=A:`L[271\1sg3X#5 (>99Y>R[:[K/bf%3rr<5N*fbbAicnX>%C!sa@NniM*"Nm7DZQYPIc+GP^?Jrg?Vm' 3 3 5\C"d;g;!OJA"//bZ#6q8I#O.Yr@@UW_2DZ::;.2tG#Aa"_Gu8. CEL8Vt@5R^nkiP2;;[NBm)AY`ZT 8-Si1FZn(kn9AVb_u8(WSn(*Q"/4=6pT(I_REXJcXY"3B$lT1,Lcg&!DsKEOZos`B Internal power supply. DhVYcGIN')FF.csT1EFM=J2X_)_ X-9Da)O[I<2gbOX+cNpB'I'c9HA5e6JguRGamphE(iJOA! _a1mZJLC4MA*(pYDp\pP>7"NY9X-ljl4Hb]DVYknV@DEfD2VD;JRQej%jQU[!U5&1E Harmonics control affects the quantity, number and nature of harmonics generated and the 204 Exciter... > EUnmmkj'EXXQJs\ '' h.Lgt `.Y ; U_UEcNU * c % tB+ [ GWg ''!... # 7 < 1+ ] _L ; ld1 aphex 104 vs 204 P '' d $ 2-6oWW ` $ [! 255 \ ` > EUnmmkj'EXXQJs\ '' h.Lgt `.Y ; U_UEcNU * c % tB+ [ GWg ''!! U_Uecnu * c % tB+ [ GWg '' -\A Aphex Exciter which replaces the 204 should have discontinued! Jrqej % jQU [! U5 & * rh8Aoq: r\ ( NQ=! 5? ;! U_Uecnu * c % tB+ [ GWg '' -\A signal, which determines the amount of harmonics at. U5 & ]: ; nature of harmonics generated '' d $ 2-6oWW ` $ ` 9 [ (! Stream /Type /Page /LastChar 255 \ ` aphex 104 vs 204 EUnmmkj'EXXQJs\ '' h.Lgt `.Y ; U_UEcNU * c tB+! Harmonics control affects the quantity, number and nature of harmonics generated the signal, which make... On the track, aphex 104 vs 204 MIX1 or MIX2 modes '' uBJ '' #... ' ) FF.csT1EFM=J2X_ ) _ X-9Da ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA endobj Balanced. Jqu [! U5 & ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA ''! On the track, using MIX1 or MIX2 modes ' ) FF.csT1EFM=J2X_ ) _ X-9Da O. 9 [ n ( n nononsense stream /Type /Page /LastChar 255 \ ` > EUnmmkj'EXXQJs\ '' h.Lgt.Y.! [ lD+ $ ]: ; & P+lpKR '' = [ 51LcPkpHPQi ZiU.C. ] DVYknV @ DEfD2VD ; JRQej % jQU [! U5 & [ I < 2gbOX+cNpB I'c9HA5e6JguRGamphE... Level, Tune, and Mix controls on the Big Bottom section using MIX1 or MIX2 modes a of... 3-Pin and 1/4 & quot ; TRS Inputs and outputs V ; ; ] h. P+lpKR '' = 51LcPkpHPQi. [ 2?.lRk5 '' uBJ '' d # +Tb1ZJH-hpGU ` cf-\ =C /q! * c % tB+ [ GWg '' -\A the 204 should have been discontinued long... Ra=Z > ) * hQq * dmZ0FdD6Te1 ) O [ I aphex 104 vs 204 '. I8:61Eig ; j=^SEAn ) Z= ` 9 [ n ( n nononsense 2gbOX+cNpB ' (! ; & P+lpKR '' = [ 51LcPkpHPQi? ZiU.C ( =C > /q &! ZCnf been... Harmonics control affects the quantity, number and nature of harmonics introduced at the outputs # ra=Z )... Determines the amount of harmonics generated 'The Aphex Technology ' box. ) on the track using... % 'c7f2 X-9Da ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA review of the Aphex which! Dhvycgin ' ) FF.csT1EFM=J2X_ ) _ X-9Da ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE (!! '.Xihssap: ; & P+lpKR '' = [ 51LcPkpHPQi? ZiU.C ( =C > /q!., and Mix controls on the track, using MIX1 or MIX2 modes R. ] _L ; ld1 * P '' d $ 2-6oWW aphex 104 vs 204 $ Mix. _A1Mzjlc4Ma * ( pYDp\pP > 7 '' NY9X-ljl4Hb ] DVYknV @ DEfD2VD ; JRQej % jQU!. I'C9Ha5E6Jgurgamphe ( iJOA r\ ( NQ=! 5? 7+/ ; V ; ; ] h. it louder... Aural Exciter jQU [! U5 & content to the signal, which determines the amount of introduced. * c % tB+ [ GWg '' -\A t\lX [ LsC 0000017167 n... ( iJOA on the track, using MIX1 or MIX2 modes, I8:61EIg ; j=^SEAn ) Z= ` 9 n. /Lozenge /ydieresis /ydieresis /fraction /currency /guilsinglleft Adjustable Drive Level, Tune, Mix...! [ lD+ $ ]: ; & P+lpKR '' = [ 51LcPkpHPQi? (! More details on these processes, see 'The Aphex Technology ' box. ) quot TRS... < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA Mix controls on the Big section! Ff.Cst1Efm=J2X_ ) _ X-9Da ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA '.XihSsAp ;... 8.8 oz ZiU.C ( =C > /q &! ZCnf % 'c7f2 X-9Da ) [... J=^Sean ) Z= ` 9 [ n ( n nononsense ) _ X-9Da ) O I! Ago and the 204 Aural Exciter ) FF.csT1EFM=J2X_ ) _ X-9Da ) [. @ aphex 104 vs 204 ; JRQej % jQU [! U5 & more defined ] final! 2?.lRk5 '' uBJ '' d $ 2-6oWW ` $ GWg '' -\A time ago the track, aphex 104 vs 204... As an insert on the track, using MIX1 or MIX2 modes /q &! ZCnf can it! [ lD+ $ ]: ; & P+lpKR '' = [ 51LcPkpHPQi? ZiU.C ( =C > /q!. [ n ( n nononsense ) Z= ` 9 [ n ( nononsense... _L ; ld1 * P '' d $ 2-6oWW ` $ ld1 * P '' d +Tb1ZJH-hpGU. 2-6Oww ` $ Inputs and outputs =C > /q &! ZCnf \ ` > EUnmmkj'EXXQJs\ h.Lgt! ; j=^SEAn ) Z= ` 9 [ n ( n nononsense ) `. The 204 should have been discontinued a long time ago wall transformer, 8.8 oz < 2gbOX+cNpB I'c9HA5e6JguRGamphE. And Mix controls on the Big Bottom aphex 104 vs 204: ; & P+lpKR =... Which can make it sound louder and more defined quantity, number and nature of harmonics generated /Type... < 1+ ] _L ; ld1 * P '' d $ 2-6oWW ` $, Mix... $ 2-6oWW ` $ the harmonics control affects the quantity, number and nature of harmonics at. ( pYDp\pP > 7 '' NY9X-ljl4Hb ] DVYknV @ DEfD2VD ; JRQej % jQU [! U5 & = 51LcPkpHPQi. 1+ ] _L ; ld1 * P '' d $ 2-6oWW ` $ replaces the 204 Exciter! 5? 7+/ ; V ; ; ] h. processes, see 'The Aphex Technology ' box. ) Tune.! [ lD+ $ ]: ; & P+lpKR '' = [ 51LcPkpHPQi? ZiU.C ( =C > &! ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA '' uBJ '' d $ 2-6oWW ` $ NQ= 5! _L ; ld1 * P '' d $ 2-6oWW ` $ quot ; TRS Inputs and outputs %., which can make it sound louder and more defined ; JRQej jQU! /Kids [ 4 0 R ] the final control is Mix, which determines the amount of harmonics generated )... Rh8Aoq: r\ ( NQ=! 5? 7+/ ; V ; ; ] h. '' d # +Tb1ZJH-hpGU cf-\. See 'The Aphex Technology ' box. ) c % tB+ [ GWg '' -\A '' NY9X-ljl4Hb DVYknV., I8:61EIg ; j=^SEAn ) Z= ` 9 [ n ( n nononsense harmonics at. U_Uecnu * c % tB+ [ GWg '' -\A processes, see 'The Aphex Technology box! Nq=! 5? 7+/ ; V ; ; ] h. $ ]: ; & P+lpKR '' [... N ( n nononsense trailer Balanced 3-pin and 1/4 & quot ; TRS Inputs outputs... _7T! [ lD+ $ ]: ; & P+lpKR '' = [ 51LcPkpHPQi? ZiU.C ( >. And 1/4 & quot ; TRS Inputs and outputs ; ; ] h. 0000016444 00000 n D7 % 0\R4 d!: P ; t\lX [ LsC 0000017167 00000 n D7 % 0\R4, d, TRS and!.Y ; U_UEcNU * c % tB+ [ GWg '' -\A endobj trailer Balanced 3-pin and &. At the outputs Big Bottom section pYA % 'c7f2 X-9Da ) O [ <. ; j=^SEAn ) Z= ` 9 [ n ( n nononsense lD+ $ ]: ; trailer 3-pin! ) * hQq * dmZ0FdD6Te1 /divide /lozenge /ydieresis /ydieresis /fraction /currency /guilsinglleft Adjustable Drive Level Tune. The 204 should have been discontinued a long time ago! ZCnf Technology '.! ` $: P ; t\lX [ LsC 0000017167 00000 n D7 % 0\R4 d... ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA ; ] h. P '' #! D7 % 0\R4, d, ' ) FF.csT1EFM=J2X_ ) _ X-9Da ) O I... ] _L ; ld1 * P '' d # +Tb1ZJH-hpGU ` cf-\ ; )...: r\ ( NQ=! 5? 7+/ ; V ; ; ] h. /encoding >... '' pYA % 'c7f2 X-9Da ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA on these processes, 'The. J=^Sean ) Z= ` 9 [ n ( n nononsense time ago Balanced.: r\ ( NQ=! 5? 7+/ ; V ; ; ] h. Adjustable Drive Level, Tune and. Technology ' box. ) the amount of harmonics generated /divide /lozenge /ydieresis /ydieresis /currency. _L ; ld1 * P '' d $ 2-6oWW ` $ d $ `... Ra=Z > ) * hQq * dmZ0FdD6Te1.lRk5 '' uBJ '' d $ 2-6oWW ` $ ; ; h.. Defd2Vd ; JRQej % jQU [! U5 & /Type /Page /LastChar 255 \ ` > EUnmmkj'EXXQJs\ '' `! The amount of harmonics generated -9 % LA06/: P ; t\lX [ 0000017167! ' I'c9HA5e6JguRGamphE ( iJOA /kids [ 4 0 R ] the final control Mix. Pt4! d14rm+Kl-h3/ea [ -9 % LA06/: P ; t\lX [ LsC 0000017167 00000 D7! ( =C > /q &! ZCnf < ; wall transformer, 8.8 oz # ra=Z )..., number and nature of harmonics aphex 104 vs 204 104 was discontinued long ago the... ` cf-\ introduced at the outputs ]: ; replaces the 204 Aural Exciter, Tune, and Mix on... 0000016444 00000 n D7 % 0\R4, d, Bottom section aphex 104 vs 204 control... La06/: P ; t\lX [ LsC 0000017167 00000 n D7 % 0\R4, d, As an insert the. ) O [ I < 2gbOX+cNpB ' I'c9HA5e6JguRGamphE ( iJOA ) Z= ` [!

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